http://SaturnianCosmology.Org/ mirrored file For complete access to all the files of this collection see http://SaturnianCosmology.org/search.php ========================================================== amazon.com Universal Iconography in Writing Systems: Evidence and Explanation in the Easter Island and Indus Valley Scripts (Kindle Edition) by Richard E. McDorman Product Description Short Monograph (18 pages). Iconography has played a central role in the development of writing systems. That all independently derived ancient scripts began as arrangements of pictograms before evolving into their elaborated forms evinces the fundamental importance of iconography in the evolution of writing. Symbols of the earliest logographic writing systems are characterized by a number of iconographic principles. Elucidation of these iconographic principles provides a theoretical framework for the analysis of structural similarities in unrelated, independently evolved writing systems. Two such writing systems are the ancient Indus Valley and Easter Island scripts. Although separated by vast tracts of time and space, the two writing systems share between forty and fifty complex characters, a problem first identified by Hevesy in 1932. Previous attempts to explain the similarities between the Indus Valley script and the rongorongo of Easter Island, which have relied on notions of cultural contact or historical derivation, have proved unfruitful. In reconsidering the problem, a novel approach based on comparative iconographic principles can explain the resemblances between the two scripts as the product of the universal iconography displayed by all writing systems in their pictographic and logographic stages of development. ..... By Diwiyana *This review is from: Universal Iconography in Writing Systems: Evidence and Explanation in the Easter Island and Indus Valley Scripts (Kindle Edition)* This well-written essay gives a reasonable explanation for why there are a handful of similar symbols in the Easter Island rongorongo script, on the one hand, and the Indus Valley script, on the other. The author does not make the outrageous claim, as some others have, that a boatload of refugees from the Indus Valley must have traversed thousands of miles of open ocean to Easter Island to teach writing, never stopping to teach anybody in between. That would be absurd, not only because of the distance, but also because of the time lag. He does not claim the similarities are simply coincidence, either. Instead, he proposes a universal icon set which all people tend to draw on when they begin to write. These icons are essentially pictures of things, also including basic geometric shapes. Superficially, then, all early scripts will have certain similarities. However, the meanings assigned to, say, a circle or an apparent asterisk, or three triangles, will differ from one society to another. This difference will be especially large where people are trying to communicate abstract ideas, as opposed to notions such as, say, "sheep," or "eye" or "man." If I had any complaints, it would have to do with the Kindle's ability to reproduce the hieroglyphs. I think there were some inaccuracies in the table, for example, but these may all have been due to the Kindle being unable to faithfully reproduce little details of Old Seal Chinese, pre-cuneiform Sumerian, and so on. It's kind of hard to tell. Fascinating reading.